Antique French Furniture Reproductions to export from Egypt at Wholesale prices
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"French Furniture Styles"
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How did the French Furniture making start
in Egypt?
When
Napoleon arrived in Cairo during the French invasion of Egypt in 1798 introduced
influences that began a new cultural era. French designers who had
traveled with Napoleon left a legacy that is written all over the European
parts of Cairo. Their tastes were mainly of a French middle class influence.
French designers tried to make Cairo look like Paris. They worked with
groups of Egyptian carpenters and assisted them in manufacturing the
furniture all with classic French themes .e.g
Classical
Louis Period Tables, Occasional Provincial Tables, Marble Top French Tables,
French Poker Tables,
Period French Secretaries, Classical Secretary Desk, French Arm Chairs, Dinning
French Table Chairs, French
Bergere and Gilded Cabriole Leg Fauteils, 18th Century French Salon Sets,
Decorative little French Chairs,
French Desk Louis XV & Desk Louis XVI Leather Top,
French Desk Chair, Marquetry
Inlaid & Hand Painted,
French Credenzas, Inlaid French Drawers, French Commode , Chest Of Drawer
Bombe, Luxury Louis French
Bahuts , Inlaid Rosewood French Vitrines, French Curios Cabinet,
Provincial Benches, French Couches And
Seating, Classical Carved Ornate French Consoles, Gilded Entrance
French Mirrors and Consoles, Marble, Stands , Wooden Pedestals, French Bronze
Pedestal, French Marquise, Chaise Lounge , French Country Bar Stool
Egyptian
Carpenters were excellent craftsmen to learn and were influenced by the
French designers especially in The Marquetry , which was
executed with extraordinary smoothness and finish; the mounts of gilded bronze,
which were the leading characteristic of most of the work of the century,
were finished with a minute delicacy of touch .Egyptian Carpenters also became
professionals in gilding French furniture in many colors rose, silvery green,
and gray blues and in strict symmetry and ornamentation
Furniture making was and still a respected craft in Egypt and skilled artisans
are highly regarded, The Egyptian furniture makers display some
particularly advanced techniques in their craft,They are skilled woodworkers and
their ability with working precious metals and especially
in French Furniture Reproductions shows skill which would be difficult to
match .
Baroque
Between the 17th and early 18th century, Baroque style heavily influenced
Western Europe. It originated in Italy and was representative of the Roman
Catholic Church. Pieces are characterized by large twisted columns, broken
pediments, and heavy moldings. The details are related to the entire piece and
flow throughout the entire work rather than simply throughout one panel.
Chinese
Chinese furniture, ranging in time from the mid-1300s to the mid-1600s,
typically features fine, simple designs made of choice hardwoods, beautifully
finished, and unornamented except for careful moldings and important hardware
made of metals such as pewter, brass and copper. Common characteristics are
unique joinery, lacquered wood pieces and inlays of mother of pearl, marble,
ivory, and stones.
Colonial
A term referring to furniture styles in use in colonies around the world during
the great colonial period from the 16th to 19th centuries. Colonial furniture is
characterized by a strong "mother country" influence balanced by the
use of local materials and adapted to local needs.
Contemporary
Based on the Modern style, except this style uses classical concepts for
decoration and detail. Often furniture is made of rubber, metal, or concrete
with long low profiles.
Cottage
Mass-produced furniture popular in the mid-19th century, originating in
functional demands rather than in display. Usually painted white, pale lilac or
blue and often enhanced with fruit and floral motifs or abstract curvilinear
designs. Turned legs and split backs are common characteristics.
Country
A casual style that gained popularity in the 1980's and remains popular today,
often featuring nature and nostalgic motifs. The appearance of handcrafting is
also important. "Distressing" is commonly seen.
DeStijl
A 20th century style originating in the Netherlands. As with other Dutch
furniture of the period, DeStijl furniture is characteristically simple and
clean-lined.
Directoire
Named for the Directorate of France after the French Revolution, Directoire
style prevailed between 1793 and 1804. It is characterized by Etruscan-appearing
forms and motifs, including mythical and stylized animal forms. Of note are
mahogany dining tables of the period, which were for the first time decorative
enough in themselves to be displayed without cloths.
Dutch
Early Flemish Baroque furniture, dating from the 17th century, was but a slight
adaptation of the late Renaissance style. Typical are oak cupboards with four
doors and chairs with seats and backs of velvet or leather held in place by
nails. Most pieces are massive, solid unpretentious pieces made of local woods
with turnings. Dutch furniture of this period can be distinguished by its
simpler design and a preference for molded panels over carved ornament. Later,
marquetry and walnut-veneer surfaces became the most common decorative
treatments.
Early American
This style flourished between 1608 and 1720 in Virginia and New England. It
included unpretentious wood furniture of simple construction with little design
detail and crude copies of Jacobean, Carolean, and William and Mary. Most pieces
echoed European styles.
Early
Renaissance
Between 1515 and 1547, the transitional period between Gothic arts and the
classical revival. Characterized by arch form, ornament and detail in style and
decoration, high relief carving with diamond shapes and architectural pilasters,
and ornamented with olive, laurel, and acanthus leaves. Pieces usually featured
no hardware.
Elizabethan
Popular during the reign of Elizabeth I of England in the latter half of the
16th century, Elizabethan furniture is massive and often heavily carved. The
style regained popularity in the early 19th century.
English
The period distinctions of English furniture are somewhat indefinite owing to
the variety of labels according to monarchs, designers, typical woods, external
influences, etc. Changes were happening so rapidly that primarily the type of
wood used distinguished the boundaries of the English style. Classified by the
separation of the ages of oak, walnut, mahogany, and satinwood.
European
Sophisticated style with great attention to detail and ornamentation.
Federal
This was the American’s reaction to the Neo-classic style during the late 18th
century. Federal is more geometric and is lighter and more delicate than
preceding styles. Details include fine inlay and refined turnings. Chair backs
are either square cornered or curved.
Finnish
Finnish furniture designers used bent and laminated (layers of solid wood) woods
to create organic, humanistic forms and lightweight open shapes. These designers
were also the first to experiment with tubular steel in furniture design.
French
Though this style ranged in time from about 1100 to 1500, until 1400 French
furniture was indistinct from the Gothic style of Northern Europe -
ecclesiastical. The nomadic lifestyle established the need for chests, coffers,
and benches. Prominent pieces were those that served dual purposes and were easy
to travel with. Originally based on the Italian Renaissance, the French
furniture of the 16th Century was very detailed and graceful with inlay
marquetry of ivory, mother of pearl, and various colors of wood.
Georgian
A period from about 1714 to 1790 that reflects the British interpretation of
Palladianism (early), the Rococo (mid) and Neo-classicism (late).
Gothic
The style period between 12th and 16th century is known as Gothic. This style
derived from Roman architecture and was seen in France by the middle of the 12th
century. It is characterized by the use of highly decorative panels and the use
of indigenous woods. It was revived in England around 1740 and known as “Gothick."
North Americans began to make their own versions in the mid 1800’s.
Hepplewhite
(See also Federal) George Hepplewhite, author of the posthumously published The
Cabinet-Maker and Upholsterer’s Guide (1788), stated his goal as “to
unite elegance and utility." Hepplewhite style is conservative, retaining
design elements from earlier periods such as the cabriole leg, but tended to
have a lighter appearance than the Adam style, its contemporary.
Italian
Renaissance
Characteristics of this 15th century style include simple outlines and details
such as architectural profiles with classic moldings, ornamentation of acanthus,
Rinceau, and animal forms.
Jacobean
This style, popular between 1603 and 1649, is the earliest work from the
Americas. It is also referred to as Pilgrim furniture. It is characterized by
heavy turnings used as legs and spindles. At times, turned legs are split in
half and applied to panels for decoration. Oak or pine is common and the
ornamentation is sometimes painted.
Japanese
Japanese domestic usage required little furniture. The chief requirement for the
few forms that were developed was that they be easily movable. Chests and
cupboards were built in with sliding doors. Usually finished with highly
polished lacquer flecked with gold and decorated with fine-scaled flower,
animal, and landscape motives. Thin mats made of rice straw called tatami
covered the floors and were used for sitting. Cloth cushions were also used, as
were small tables of wood or lacquer, either folding or rigid. Dressing tables
and writing tables were specialized forms that evolved from the simple table.
The folding screen was an indispensable adjunct to the other furnishings as it
could be moved to change the entire aspect of the room. Japanese furniture forms
have changed little for centuries.
Late Renaissance
Features 17th century Italian classic ornamentations of columns, pilasters, and
geometric shapes. Traces of Gothic influences are present. The beauty of line
and mass appear more important than surface enrichment.
Louis XV
The period from 1715 to 1774, also known as the Regence, marked a shift from the
weighty character of earlier rococo styles to embrace a
more light-hearted, somewhat simpler feel. Carvings and marquetry were
simplified and contributed more to the overall motif of the piece than in the
prior period.
Middle Ages
Early Middle Ages: With the collapse of the Roman Empire during the 4th-5th
centuries, Europe sank into a period in which little furniture, except the most
basic, was used: chairs, stools, benches, and primitive chests were the most
common items. There is evidence that certain ancient traditions of furniture
making, particularly that of turnery, influenced early medieval craftsmen.
Turnery was used in making chairs, stools, and couches in Byzantium, and it
seems that this technique was known across Europe as far north as Scandinavia.
Later Middle Ages (14th and 15th centuries): Folding chairs and stools, trestle
tables with removable tops, and beds with collapsible frameworks were usual. The
religious houses were an exception to this in that they enjoyed a certain
security denied to the outside world. Much of the best furniture of this period
was therefore made for use in churches and monasteries, and many of the ideas
and developments that were later to add to the domestic comfort of Europe
originated in the cloister. Household furnishings were frequently crude in
design and roughly constructed. Other forms of carved decoration on furniture
became more common during the 15th century, when surfaces were carved with
tracery and other Gothic motifs. During the Middle Ages a great many pieces of
furniture, including those with carved decoration, were painted and sometimes
gilded, a practice that continued well into the Renaissance. The chest was the
basic type of medieval furniture, serving as cupboard, trunk, seat, and, if
necessary, as a simple form of table and desk.
Middle
Renaissance
Ranging in time from 1550 to 1610, Middle Renaissance furniture was
characterized by broken pediments, colonnettes, pilasters, flat strapwork, and
cartouche ornamentation. Stars and diamonds were used in bold relief.
Mission
The Mission style, from the early 20th century but enjoying a resurgence today,
is inspired by the mission furniture of the Southwest that was made of
rough-sawn lumber and pegs and dowels. It is a very popular offshoot of the
Arts and Crafts period. The style is characterized by simple, functional designs
made of oak and stained wood with minimal ornamentation. Leather and Native
American designs are often the motif of the coverings.
Modern
An early-to-mid 20th century style, Modernism, one extreme of the Art Deco
movement, was austerely functional in its purest form. It drew on Machine Age
sensibilities and minimized ornament in favor of extreme simplicity of form
following function.
Neoclassic
Neo-classicism, which is sometimes called Louis XVI, lasted from 1750 through
1800. Travel into Greece, Italy, and the Near East during this time produced
archaeological discoveries, and publications about these were spread through
Europe. In response, designers of this period looked to classical art for
inspiration. Chair backs took on rectangular or shield shapes, and slender,
straight lines were the rule.
Neo-Gothic
Popular from the 1820s in Europe and from the 1840s in North America, this style
features such motifs as pinnacles, crockets, and trefoils.
Queen Anne
An American style created in the early 18th century. The most relevant feature
is the cabriole leg. The cabriole leg is a bowed, offset leg that grows from the
floor around the entire piece. Walnut is the favored wood, but maple and cherry
are also used. Mahogany began to achieve popularity during this time.
Regal
Generically, a traditional furniture style characterized by majestic forms. Many
especially European furniture styles are further characterized by the name of
the specific monarch or monarchical dynasty during the style's time period, such
as William and Mary and Tudor.
Regency/Empire
Essentially a continuation of the neo-classical style with a stronger
archaeological emphasis. Napoleon’s campaigns in Egypt inspired the use of
Egyptian ornament. Mahogany furniture took on winged lion supports and pilasters
headed with sphinxes’ busts or palm leaves.
Rietveld
In the early 20th century, Rietveld style grew from the Dutch Arts and Crafts
movement with a strong Frank Lloyd Wright influence. Machined forms and manmade
materials figured in this style, which sought to preserve the integrity of Arts
and Crafts while embracing the modern world.
Renaissance
This movement began in Italy in the 13th century and continued through the 17th
century. After it was introduced in France it spread throughout northern Europe.
It often features ornamentation inspired by Italians Michelangelo and Raphael.
The furniture is true to the purpose of the piece and often incorporates
mythological or biblical figures. Walnut is often the wood of choice.
Republic
A variation of the Federal style.
Retro
A contemporary retrospective view, which reinterprets some of the best-loved
looks from the 1930s to 1980s. The mood of these pieces is playful and ironic.
The classics have extra emotional punch because you recognize such items as
exaggerated Hollywood sofas, 1950s boomerang tables or wacky '70s chairs from
late night films, TV sitcoms and old cartoons.
Rococo
A French-influenced style that dominated the first half of the 18th century,
essentially a lightening of the baroque period. Rosewood and fruit woods replace
the darker woods used previously. The details of the furniture were more
delicate, curved forms with smaller units of ornament.
Romanesque
Early medieval furniture with crude Roman influences. Characterized by arches
and curves, simple geometric arrangements, coarsely rendered animal and plant
forms, and paint in decorative hues. Found throughout Europe, the Romanesque
style preceded Gothic and Renaissance styles.
Russian
The Russian style is a blending of styles from throughout Europe. The production
of metal furniture can be considered a purely "Russian" phenomenon
since the production of metal furniture was not found elsewhere in Europe at the
time.
Rustic
18th century utilitarian objects that were usually handmade of common materials.
Decorations resembled natural growth of trees, etc. The strength and character
of southwestern and Colonial Mexican design is included in this style, as are
the hunting lodge looks of the Adirondacks and the northwest.
Scandinavian
At the 1930 Stockholm Exhibition and the 1939 World's Fair in New York, the
larger world was first exposed to the simple, clean, and lightweight forms of
Scandinavian furniture. Quality craft combined with mass production where
appropriate are hallmarks of the style. Bent plywood is a commonly used
material.
Shaker
The Shakers, who were a religious society with colonies throughout the United
States, produced furniture during the early nineteenth century that is
characterized by its economy and efficiency. They produced works with the
attitude that work is prayer, which resulted in highly practical and functional
designs that appeal to modern tastes. The plain turnings of a classic, straight
back, Shaker chair is indicative of the design’s commitment to simplicity and
function.
Sheraton
Thomas Sheraton gave his name to a stylistic period from the late 18th to early
19th centuries. The Neo-classical movement is heavily influenced by his The
Cabinet Dictionary and The Cabinet-Maker and Upholsterer's Drawing Book.
Southwestern
Contemporary style which is highly influenced by Native American Indian
traditions. Light-colored woods, light and bright color palettes, rich patterns,
and desert scenery characterize furniture.
Spanish
Ranging in time from the mid-1200's to 1600, furniture of this style is
vigorous, masculine, and even barbarous. Typical pieces were richly carved,
painted, gilded, and inlaid with ivory in a Moorish manner. They used metal
supports and ornamentations, nail heads, and chip or gouge carving techniques.
Stickley
Beginning in the very first
year of the twentieth century, Gustav Stickley made furniture that is prized
almost a hundred years later for its honesty, simplicity, and usefulness. As a
designer and manufacturer who emphasized careful workmanship, respect for
natural materials, and simple lines, Stickley had a profound impact on the look
of American homes. Today, Arts and Crafts design -- synonymous with Stickley to
many people -- has become an American passion.
Traditional
Traditionally styled furniture is available in both original antique pieces and
quality reproductions. This type of furniture usually follows a particular
period style such as Georgian, Tudor, Regency, or Louis XV.
Tudor
The Tudor period is generally accepted as the reign of Henry VIII through the
reign of Elizabeth I of England. Tudor furniture was typically massive, heavily
carved, and influenced by Italian Renaissance furniture. The foregoing Gothic
style contributed its straight lines to this period as well.
Victorian
Victorian refers to a time period rather than a particular style. The Victorian
period fell between 1837 through 1901. The industrial revolution allowed for the
mass production of furniture and styles from earlier periods were drawn upon.
Heavy ornamentation is a hallmark of the Victorian period. The round ottoman,
balloon back chair, and single end sofa were all developed during this period.
Victorian can be further subdivided into Victorian-American and
Victorian-English.
William and
Mary
An American style popular in the American colonies during the late 1600’s.
Walnut and maple became the material of choice and veneering was introduced for
highly figured, naturally decorative wood. Hinged lids were placed on desk boxes
on stands, and on chests of drawers, producing the secretary we are familiar
with today.
Windsor
The term Windsor refers to a chair style dating from the 18th century. Use of
local woods is characteristic of Windsor chairs, which are available in
regionally variant forms. Saddle-shaped seats and spindle backs are common.
Other Design Styles
The American Colonial style features
paneled walls, Oriental rugs, damask fabrics and linear Chippendale furniture.
The Arts and Crafts style is rectilinear and angular with stylized decorations
reminiscent of medieval and Islamic design.
The Art Deco style is glamorous, modern and dramatic and is the streamlined look
for the 1920s and 1930s.
The Baroque style is theatrical and extravagant. Decorative elements are
intended to electrify and flaunt wealth.
The Biedermeier style is recognized by its distinctive veneered light-colored
wood furniture.
The Contemporary style honors current living and values. The interiors are
functional, airy and uncluttered.
Federal American style encompasses neoclassical principles while placing an
emphasis on symmetry and balance.
The Georgian style revived classical principles of proportion and
symmetry. The look is sophisticated and elegant.
The Medieval style is a study in contrasts with dark stone and wooden walls
relieved by vivid colors on walls and tapestries.
The Mexican/Southwestern style favors bold colors while the Southwestern style
features the more subdued palette of the desert.
The Modern style embraces plain walls, geometric-shaped accessories and modular
glass and metal furniture.
The Oriental style is typically understated, mystical and calming with plain
colors as a background and bold accents.
The Tudor style introduced features for long-term comfort: the fireplace wall
and ornate furniture.
The Victorian style is exemplified by bulging furniture in colorful interiors
featuring lavish displays of knickknacks.